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Elements of Surprise
[Vacation Life]
A sun valley residence marries design motifs from around the globe.

You might expect a former communications and technology CEO to build a home that boasts a slick, high-tech and contemporary design. And you might anticipate that someone building a vacation home in Sun Valley would create a deliberately humble retreat, in harmony with its rustic surroundings. But Larry Wangberg is not one to conform to expectations. His European country–style mountain dwelling defies both stereotypes. It is at once worldly and warm, adventurous and traditional—and this, according to Wangberg’s interior designer Thomas Beeton, is precisely what a home ought to be. "I don’t make lifestyles for people. They have plenty of lifestyle, especially someone as diverse as Larry," Beeton says. "My job is to framework it and put it into a practical and livable context."


Previous spread, left: The home’s motor court features radiant heating and tumbled pavers. "Almost every man never has enough garage space, and this was an opportunity to have enough garage space," Wangberg says. Bottom: The 13,000-square-foot home’s exterior is made of rough-textured, mottled stucco, timbers and Chief Joseph stone from Montana. (Click images to enlarge)


In Wangberg’s case, that context is one that infuses casual, mountain living with Gallic aesthetics. Wangberg refined his love affair with all things European during his frequent stays at Relais & Châteaux properties, destinations he would photograph for fun. "As a photographer, I’m more mindful of my surroundings and the architecture and the decorating of buildings I’m staying at—or have an opportunity to see," Wangberg explains.
 
Thanks, perhaps, to his photographer’s eye, Wangberg understood that size really does matter when building a home. As a result, his was built on a scale that holds its own among the surrounding peaks. Commanding a 15-acre lot with 360-degree mountain views, the house occupies a natural, elevated bench and features 500 tons of Chief Joseph stone from Montana, 150 timber beams and high- volume ceilings. A good guide to scale for the house are the living room walls, which are 25 feet high.


 
Left: The kitchen floor of this Sun Valley home is French terra cotta, but the tiles were set upside down for a more rustic look. Far left, the breakfast room features a 19th-century Tibetan chest. Bottom left, the French limestone fireplace in the dining room was carved by a Norman family that has worked in masonry for generations. (Click images to enlarge)


But Wangberg’s home did not just respond to the landscape; it fostered a relationship with it. Rambling along the bench, the house is flanked by two waterfalls that empty into a trout pond. Architect Jim Ruscitto, principal of Ruscitto/Latham/Blanton Architectura, and Thomas Rixon, project architect, then designed a garden-level basement with 10-foot ceilings, 8-foot French doors, terraces and plenty of windows, so that even the lowest level of the house converses with nature. The architects also used glass liberally throughout the entire house. They wrapped the stairwell in windows and incorporated windows in the 8-foot-wide hallways so that, as the rooms connect to each other, the whole house relates to the outdoors in one fluid movement.


Right: An artful vignette occupies the entrance hall of the home. Bottom: "The hand-blocked quality of the Bennison linen drapes in the dining room helps increase the cozy-elegance factor," says Beeton.

Color serves to unite each space within the greater tableau of its setting: From the lilac tones in the hills outside the master suite (which inspired the color of that room’s walls), to the main rooms, where ivory plaster is brushed with gold and recalls Sun Valley’s afternoon light. "If you stripped everything out of the building, it would feel a bit organic," says Beeton, "as if it kind of grew up from the materials around it." Beeton and his project manager, Julianne Gavino, infused those gentle hues with vibrant jewel tones via furnishings and accessories.

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